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The business of film, television & new media production in the Northeast
imagine magazine logo
The business of film, television & new media production in the Northeast

John Stimpson, writer, producer, director, editor and more seen everywhere now.

We just never know what subject or story John Stimpson will be taking up next. He crosses genres from the dark to the light with engaging stories that he makes right here in Massachusetts. Currently he is one of our most prolific filmmakers pushing out movies about once a year. Movies that get picked up and that get seen.

GHOST LIGHT, John Stimpson’s haunted comedy about a misfit Shakespearean troupe who unleashes the notorious curse of Macbeth, premiered at the LA Film Festival September 22nd. The film is repped by CAA and the filmmakers have high hopes for a good sale coming out of the premiere.

Written and produced by Stimpson and veteran producer, Geoffrey Taylor under the Worcester based H9 Films shingle, the film was shot last fall in Groton and Concord. “It’s a Massachusetts film through and through,” said Stimpson. The story takes place in the Berkshires, and had a crew entirely based out of New England. Key collaborators included Director of Photography Terrence
Hayes, Production Designer Chad Detwiller, Costume Designer Joanna Murphy, UPM Luke Ramsey and composer Ed Grenga.

The film stars Roger Bart (THE PRODUCERS, A SERIES OF UNFORTUNATE EVENTS), Tom Riley (Da Vinci’s Demons, Dark Heart), Shannyn Sossamon (SLEEPY HOLLOW, A KNIGHT’S TALE), Danielle Campbell (THE
ORIGINALS, FAMOUS IN LOVE), Scott Adsit (30 Rock, BIG HERO 6), Carol Kan (UNBREAKABLE KIMMY SCHMIDT, TAXI), and Cary Elwes (THE PRINCESS BRIDE, ROBIN HOOD MEN IN TIGHTS). GHOST LIGHT is the first film Elwes and Carol Kane have appeared in together since THE PRINCESS BRIDE.

The film also stars several local actors including, Caroline Portu, Alex Portenko, Liliane Klein, Zele Avradopoulos, Ken Cheeseman, Maureen Keiller and Mary Callanan. Julie Arvedon Knowlton of Slate Casting handled the local casting.

GHOST LIGHT centers around the crazy superstitions of the theatre,” said Stimpson. When a disgruntled understudy (Tom Riley) throws caution to the wind and deliberately utters the forbidden name of the “Scottish Play” on stage the curse of the Bard’s witches begins to reveal itself and the production falls further and further into chaos. “We may have been tempting fate ourselves,” Stimpson explains. “Carol Kane was very concerned that we were in fact saying the name of the play repeatedly during our shooting. I convinced her that our set was actually a converted barn and not a theatre which made us immune to the curse.” Kane plays, Madeline Styne the troupe’s Grande Dame. “She is an absolute treasure and a comic genius. What a joy she was to work with,” commented Stimpson.

Roger Bart and Stimpson go way back. They sang in a bar on Martha’s Vineyard together when they were in college. Bart won a Tony award for his portrayal of Snoopy in “You’re a Good Man Charlie Brown” and is
also known for singing the role of Hercules in the 1997 Disney fi lm. “I reached out to Roger first. I thought he’d be wonderful in the role of Henry Asquith, the long suffering director of Shakespeare on Wheels,” said Stimpson. “I knew back in the 80’s at the Seafood Shanty in Edgartown that Roger had something special. It’s been so fun to follow his career from afar and now to finally have the chance to work together.”

Stimpson and co-writer and producer GeoffTaylor began the process of bringing GHOST LIGHT to the screen over two years ago. Talking about projects at a Red Sox game, Stimpson pitched the idea for GHOST LIGHT to Taylor and the partnership was launched. Taylor who produced many projects with Paul Mazursky including DOWN AND OUT IN BEVERLY HILLS and MOSCOW ON THE HUDSON, moved back from Los Angeles to Concord, MA to raise his family in 2011.

Post production on the film was all done locally as well. Stimpson cut the film in his Worcester office, special effects (of which there are many) were done by Sandbox VFX in Pittsfield, Chris Anderson mixed at The Outpost at WGBH and Rob Bessette color timed the fi lm at Finish. “What a great
collaboration it was,” says Stimpson. “And a great example of a local project born and bred here in Massachusetts and made possible by the Mass Film Tax Credit.”

Congratulations to John and the GHOST LIGHT team (cast and crew) for the film’s acceptance at the LA Film Festival. And, just added before we go to press at the Woodstock Film Festivals where tickets are
on sale.

Now we’ll be waiting to fi nd out what will John Stimpson, a valued and treasured Massachusetts filmmaker, be producing next.

For more information visit www.h9films and www.ghostlightmovie.com. See the GHOST LIGHT trailer below.