Girls Night Out: A Short to Feature Saga

by Kate Sheridan

GNO-posterWe’ve been following Worcester-based producer Kristen Lucas and her journey to bring the feature-length comedy short GIRLS NIGHT OUT to the big screen.

When Kristen Lucas and co-screenwriter Rufus Chaffee finished the feature length script for GIRLS NIGHT OUT in November of 2012, Kristen was not content to wait for someone to come to her. She wanted to bring GIRLS NIGHT OUT to life her way. Lucas is the founder of the lifestyle brand and movement “Respect Her Hustle” so no one is surprised she was willing to hustle for it.

After holding a table read of the script, Kristen said, “Hearing the words come to life, we knew we had something great- we thought the best way to drum up interest in the project would be to get the characters on screen to show people just how funny this world was.” Lucas and Chaffee quickly wrote an eight page short based on the characters and situations in the feature length script and with Chaffee set to direct and Lucas to produce, they started assembling a team.

First the auditions. With characters based on real people, Kristen knew she had big shoes to fill, but after a series of auditions that December an amazing leading cast was assembled: Molly Kelleher, Jami Tennille, Erin Olson and Sam Pannier. Co-Producer Barbara Guertin was instrumental in helping to find a few of the supporting male characters, by recruiting some actor friends of hers, Peter Husovsky and Jeff La Greca. Local actor Kevin Peterson rounded out the cast by playing Officer Pecs (for obvious reasons).

From table read to audition all the actresses were able to meet their “real-life” counterparts creating a unique pre-production process. “It is every actor’s dream situation,” said Molly Kelleher. “The chance to observe and talk to the actual person my character is based on helped my process of developing Jo. I felt comfortable stepping in her shoes and authentically bringing the character to life.”

Lucas also called upon Jennifer Dunlea for fashion styling and close friend Lisa Roche (upon whom one of the “girls” was actually based) for hair and makeup. Lisa said of the shoot, “It was such a great experience creating looks for each character, especially when I could incorporate elements from the actual personalities of the women who inspired the script. The small differences between a power business mom (stylish but no nonsense) and an insecure neglected wife (trying to impress, but ends up looking like she’s going to a prom) were so fun to explore and translate to the screen.”

The ladies of GIRLS NIGHT OUT
Left to right: Jami Tennille, Sam Pannier, Molly Kelleher & Erin Olson play the leads in GIRLS NIGHT OUT. Photo by Dee Wells.

Dunlea, echoed this sentiment, using different colors and dress styles to define the distinct personalities. “In a short film format, you have even less time to get across what you are trying to say and who the people are- we needed people to ‘get’ the characters right away and have their wardrobe demonstrate who they are,” she said.

The film was originally scheduled to be shot in February of 2013, but a record 30-inch snowstorm postponed the one-day shoot, which was eventually filmed in March with post-production completed in May. As Kristen put it, “I was able to pull together a talented team to support the vision; the best of the best. It takes so much work to make things happen in this industry, but they all supported me and my passion for GIRLS NIGHT OUT making it much easier than I even dared to hope for.”

Within hours production designer Rebecca Sumner converted a community center into the setting: a police station. All the props necessary to replicate the scene of an interrogation room and police observation area were assembled. The cast of seven and crew of ten went to work.

“We walked through the front door at 7 am to set the scene, coordinate hair and makeup and start shooting,” said Lucas. “At 3 am we walked out with all our footage. It was a huge accomplishment.” Cinematographer Dee Wells added, “We had a lot to do and not a lot of time. Without the teamwork on both sides of the camera, we never would have finished, let alone get the amazing look and feel that we had envisioned.”

Click here to see photos of the GIRLS NIGHT OUT production shoot on Facebook.com/GirlsNightOutTheMovie

After principal photography was complete, industry vet Don Packer of Engine Room Edit took on post-production responsibilities. In addition, Don brought in the talented folks from Soundtrack Boston and BrewHouseVFX, who created the eye-catching title design. Says Packer of the GNO team, “They’re the top of the heap in my book. I was thrilled at the opportunity to work with Kristen and the Goldilocks crew – it was a collaborative effort from the start; they brought me their best work and honored me by allowing me to do what I do best. I totally appreciate their dedication, creativity and style and I’m really happy with the end result.”

For more information about GIRLS NIGHT OUT, please contact kristen@girlsnightoutmovie.com.

Kate Sheridan is an actor and writer living in central Massachusetts. In addition to a B.A. from Holy Cross, she has trained in comedy and musical theatre at The Second City Chicago and North Shore Music Theatre, respectively. She is a regular contributor to Crazytown Blog (http://www.crazytownblog.com) and can be found on Twitter at @ahhkatesheridan.

 

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PRETEND: When You Lose Your Job Sets A Stage

New film by Jim Ohm heads to the Film Festival Circuit in April

Filmmaker Jim Ohm has spent over twenty years editing award-winning documentaries for Turner, National Geographic and PBS, and directed his own independent documentary film, “Spring Training,” about the Red Sox’s pre-season in Florida. Captivated by the stories of human tragedy behind the financial collapse of 2009, Jim began what would become a three-year labor of love, writing a script for a short film entitled PRETEND. The story is a contemporary drama set days before Christmas about an affluent family man, Roger, who’s lost his job, is going broke, but pretends that everything’s all right. The only one who senses trouble is Roger’s pre-adolescent daughter, Maddie.

PRETEND cast & crew. Photo by Donna Megquier
PRETEND cast & crew. Photo by Donna Megquier

To bring the film to life, Jim chose established, local SAG-AFTRA actors. Bradley J. Van Dussen led the cast as Roger, his performance expertly capturing the desperation of a man in freefall. Georgia Lyman played his wife, Susan; Ian Lyons his brother, Chris; Cindy Lentol played Chris’ wife, Joyce; Corey Scott played a street busker Santa Clause; veteran actor William Bloomfield – the pawnshop owner to whom Roger, in dire need of ready cash, sells his silver; Paul C. McKinney played the angry driver; and Jack Tracksler played the real Santa. For the role of young Maddie, Jim cast his own daughter, Maddie Ohm, and had the unique experience of directing her first film performance.

As with any low budget project there are huge challenges at every turn. Jim tells us, “I didn’t have a lot of money, but I was able to tap my industry connections and get a core group of talented people who loved the story and really wanted to make a film of the highest possible quality. Led by Director of Photography Matt Thurber and Producer Beth Tierney, we assembled an amazing crew of local professionals.”

Jim Ohm with Georgia Lyman & Cindy Lentol in the kitchen scene in PRETEND. Photo by Donna Megquier
Jim Ohm with Georgia Lyman & Cindy Lentol in the kitchen scene in PRETEND. Photo by Donna Megquier

That group featured First Camera Assistant Tom Fitzgerald, Gaffer Chris Brown, Key Grips Walter Stone and Tony Ventura, Sound Recordist Djim Reynolds, Set Designer Alexandra Kayhart, and Make Up artist Ashleigh Taylor along with many others from a pool of talented, local technicians.

Jim Ohm continues, “They brought a sense of purpose and dedication, which made for a highly successful shoot and Matt just brought it all together. It shows in the footage”

The nine-day shoot travelled throughout the greater Boston area. As the story moves from the home of Roger to the home of his brother, Chris, Jim was looking for one location that could serve as two distinct interiors. He was fortunate to have a close family friend offer his gorgeous, spacious Lynnfield home to the cast and crew for a three-day shoot. After Lynnfield, the crew set up shop in quaint downtown Dedham—where the drama of an independent film shoot, which closed down part of High Street, made local headlines. Finally, Waltham played a gracious host by providing four separate locations: The Goldcrafters Exchange on Moody Street; the woods of the Robert Treat Paine Estate; the Lyman Estate; and the grounds of the old Fernald School.

Jim says, “Securing locations was quite time consuming, but I had support from friends who helped make vital connections. The story of PRETEND really grabbed people and it seemed everyone knew someone like Roger, whose life had been upended by the financial crisis, and they all wanted to be part of getting this film made.”

Matt Thurber on camera with Tom Fitzgerald and Djim Reynolds on the set of PRETEND. Photo by Donna Megquier
Matt Thurber on camera with Tom Fitzgerald and Djim Reynolds on the set of PRETEND. Photo by Donna Megquier

Jim’s script for PRETEND has already received accolades from the L.A. Fresh Voices Screenwriters’ Competition as one of only 13 scripts that are semi-finalists in the Short Film category, out of hundreds submitted. Renown Hollywood director, Joel Shumacher (ST. ELMO’S FIRE, BATMAN & ROBIN, A TIME TO KILL) will be one of the judges selecting the winning screenplay which will be announced in April.

Additionally, the D.C. Shorts Festival had high praise for Jim’s script: “The characters really popped and had their own voice,” “gut wrenching at the end,” “writer did a fantastic job.”

PRETEND is headed off to the film festival circuit in April and will have its local premier in May. To get more information on the premiere and the latest news check out the Facebook page for PRETEND.

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