Given the present and challenging situation of social distancing and self-isolating to stay safe and healthy, IMAGINE brings you an introduction that will provide filmmakers with an avenue to participate online to learn skills and improve your industry knowledge. If you are missing a one-on-one mentor, this may help. PUB.
New Online Filmmaking Courses with Award-winning & Acclaimed Artists in Sound Design, Color Grading, and Editing Classes are Now Live
Before the age of digital filmmaking, mentorship played a key role in career advancement. Sets, locations, cutting rooms, and mixing studios were hives of creativity and central hubs for passing on techniques, ideas, and war stories. The mentor relationship would solidify skills, foster collaboration and education and create real-world job opportunities. Today, young film professionals are often thrust into positions without having the chance to learn the craft from seasoned veterans at the top of their game.
Filmmaker U was created to help fill this void in the modern-day film industry. This online series brings some of the best in the business to any aspiring media artist who seeks to obtain this type of apprenticeship experience.
Launched earlier this month, Filmmaker U, unveiled the first in a series of unique, in-depth courses taught by top filmmaking professionals:
Academy award-winner Eugene Gearty, MPSE (HUGO, LIFE OF PI, THE IRISHMAN), shares his tricks, techniques, and concepts on creating sound design.
Multiple Emmy award-winner Brian Kates, ACE (Marvelous Mrs. Maisel, Shortbus, The Savages), teaches pacing, timing, and the equally creative art of collaborative storytelling.
Acclaimed colorist Eric Whipp, CSI (MAD MAX: FURY ROAD, LEGO MOVIE: THE SECOND PART), demonstrates techniques, strategies, organization, and problem solving straight from the color suite.
Oscar-nominated and multiple Emmy-winning documentary Director/Editor Sam Pollard (4 Little Girls, WHEN THE LEVEES BROKE: A REQUIEM IN FOUR ACTS, SAMMY DAVIS JR.: I’VE GOTTA BE ME), and trailblazing & award-winning Director/Cinematographer Kirsten Johnson (CAMERAPERSON, CITIZENFOUR, DICK JOHNSON IS DEAD, THE OATH); are confirmed to release courses this year.
“From a technical perspective, there is also a treasure trove of knowledge,” said Simon Wyndham, Editor of Red Shark News. He added “The course covers far more than I can ever describe in a short review…, and the nuances and thought processes contained within it will most certainly warrant going back to rewatch it, perhaps numerous times in order to truly pick up on everything.
“The mix of technical specificity and filmmaking business know-how makes these courses a wealth of valuable information,” said Editor Brian Kates, ACE.
These courses are not software or hardware-specific unlike most online courses out there,” stated co-creator Gordon Burkell. “They are specifically designed to be utilized by anyone with any tool in the filmmaking industry.”
Filmmaker U is a collaboration of educators and innovators Josh Apter and Jason Banke of Manhattan Edit Workshop and Gordon Burkell at Aotg.com. This online seminar series was created to give aspiring and existing filmmakers unprecedented access to the lost art of apprenticeship in the film industry. These instructors are acclaimed and award-winning artists who are some of the best in the industry.
For more information please visit www.filmmakeru.com.
Today AFI unveiled the launch of AFI Movie Club, designed to be “a daily virtual gathering to leverage our collective love of film on behalf of optimism in this time of global uncertainty.” Steven Spielberg, an AFI Trustee and 1995 recipient of the AFI Life Achievement Award, introduced the first movie chosen — 1939’s immortal Oscar-winning classic THE WIZARD OF OZ — with a video (find it below) in which he is standing in front of a stunning French poster of another classic, DOCTOR ZHIVAGO. In the video, he explains the reason the debut film was chosen for the honor. “I know you think you’ve seen it, but please think again because right now at this moment in our history what better message is there then ‘There’s no place like home’? ”
AFI said it will continue to select an iconic movie each day for the world to watch together, creating a communal viewing experience during these unprecedented times of social distancing. The plan is to have a variety of other guest hosts announcing select AFI Movies of the Day in videos posted on AFI.com and social media platforms. To view the featured movie of the day with the use of your preexisting streaming services, go to AFI.com/MovieClub. An AFI spokesperson told me the organization will be doing this every day for the foreseeable future and will be digging out tons of great exclusive archive material to add to the experience. This will include “fun facts and family discussion points.” Audiences can continue the conversation online using the hashtag #AFIMovieClub.
“AFI’s goal is to live in a world of art above anxiety,” president and CEO Bob Gazzale said. “We’re honored to have Steven Spielberg, the greatest storyteller of our day, lead the way.”
“There’s no place like home,” is a great message for each of us at
this unsettled time. I’m looking forward to better times that are sure
to come to us in this great country.
Stay healthy, well, and optimistic for our future.
It’s time to begin thinking about the incredible array of New England’s Summer of Film Festivals. Today the Nantucket Film Festival made the following announcement as we here at IMAGINE continue our planning for our IMAGINE House at this always satisfying event. Watch for the next issue of IMAGINE for additional details. Here’s the festivals announcement:
25TH ANNIVERSARY NANTUCKET FILM FESTIVAL ANNOUNCES HONOREES & SPECIAL GUESTS
ERIC ROTH (A STAR IS BORN) TO RECEIVE SCREENWRITERS TRIBUTE AWARD
AMY SHERMAN-PALLADINO & DANIEL PALLADINO (THE MARVELOUS MRS. MAISEL) TO BE HONORED WITH VARIETY’S CREATIVE IMPACT IN TELEVISION AWARD
MSNBC’S BRIAN WILLIAMS TO HOST ANNUAL SCREENWRITERS TRIBUTE EVENT
Festival Adds Additional Day in Celebration of Anniversary
The Nantucket Film Festival (NFF) announced today honorees for the 25th anniversary festival – including the Screenwriters Tribute Award to Oscar®-winning screenwriter Eric Roth and Variety’s Creative Impact in Television Award to Emmy Award®-winning writers, executive producers, and directors Amy Sherman-Palladino and Daniel Palladino. It was also announced that Brian Williams, host of MSNBC’s The 11th Hour with Brian Williams will return as host for the Screenwriters Tribute, which will take place on Saturday, June 27th at the Siasconset Casino. The 25th Nantucket Film Festival will take place June 23 – 29, 2020.
The 2020 Screenwriters Tribute Award will be presented to Oscar®-winning screenwriter Eric Roth. With a career spanning over 40 years, he has penned unforgettable scripts that have inspired cinema for decades. Roth won an Academy Award® for Best Adapted Screenplay for the critically acclaimed film FORREST GUMP, starring Tom Hanks in an Oscar®-winning performance. He also received four additional Oscar® nominations for A STAR IS BORN (2018), THE CURIOUS CASE OF BENJAMIN BUTTON, MUNICH, and THE INSIDER. Additional notable films from Roth include ALI, THE HORSE WHISPERER and EXTREMELY LOUD & INCREDIBLY CLOSE. He is currently in post-production on DUNE with Timothee Chalamet, Jason Momoa, Zendaya and Josh Brolin and is in pre-production on KILLERS OF THE FLOWER MOON to be directed by Martin Scorsese and starring Leonardo DiCaprio and Robert DeNiro. He has just completed producing MANK starring Gary Oldman in a 1930s drama about the writing of Citizen Kane for Netflix and David Fincher. Roth is a recipient of the prestigious Laurel Award for Screen, the Writers Guild of America West’s lifetime achievement award.
Writers, producers, and directors Amy Sherman-Palladino and Daniel Palladino will receive Variety’s Creative Impact in Television Award at the Screenwriters Tribute. Sherman-Palladino is the creator of the hit television series including Gilmore Girls, Bunheads, and The Marvelous Mrs. Maisel. She has received five Emmys® for her work on The Marvelous Mrs. Maisel and is the first person in history to win in both the comedy writing and directing categories at the Primetime Emmy® Awards. In 2019, Sherman-Palladino received the Norman Lear Achievement Award in Television from the Producers Guild of America. Daniel Palladino has worked as a producer on the popular television series Gilmore Girls, Bunheads, and The Marvelous Mrs. Maisel. He won three Emmy® Awards and a PGA Award for his work on The Marvelous Mrs. Maisel. Palladino has also received nominations for his work on The Marvelous Mrs. Maisel from the DGA, WGA and PGA. He has also worked on additional series including Family Guy and Roseanne. Previous recipients of the Variety Creative Impact in Television Award have included Saturday Night Live writers and performers Anne Beatts, Jane Curtin, Heidi Gardner, Sudi Green & Sarah Schneider, as well as House of Cards creator Beau Willimon and David Crane & Jeffrey Klarik for their work on Friends and Episodes.
“As the Nantucket Film Festival embarks on our 25th anniversary we look forward to honoring some of the most creative minds and talented storytellers in today’s field. Eric has made an impact on the industry with extraordinary scripts that have left a lasting influence, bringing some of the most iconic and timeless characters and words to the screen,” said Mystelle Brabbée, Executive Director of the Nantucket Film Festival. “Amy has created some of the most powerful and poignant roles for women in television and she and Dan bring their trademark brilliant dialogue to every show they write and produce. As the world eagerly anticipates a new season of Maisel, we look forward to celebrating Amy and Dan and their wide-ranging and impactful careers in television.”
It was also announced that Brian Williams will return to host the Screenwriters Tribute for the 25th anniversary. Williams is a longtime supporter of NFF, from sitting on the board of directors for several years to his tenure as the popular host of the Screenwriters Tribute. During his 15 years leading the event, Williams demonstrated the humor that he’s shown in guest appearances on The Daily Show, Late Night, Tonight Show and Late Show to Nantucket audiences. Audiences will once again have a chance to hear his witty jokes and sharp commentary at this year’s event.
In celebration of the 25th anniversary of the Festival an extra day will be added, with NFF kicking off on Tuesday, June 23rd. The 2020 seven-day event will include additional programming for the Nantucket community, including the return of past guests representing the history of the Festival.
Presenters for the Screenwriters Tribute and participants of audience favorite event, the annual All-Star Comedy Roundtable, as well as other Signature Programs and film programming for the 25th edition, will be announced in the coming weeks.
The 25th Anniversary Nantucket Film Festival runs from June 23-29, 2020.
The Nantucket Film Festival was founded by brother and sister team Jonathan and Jill Burkhart in 1996 to promote the cultural awareness and appreciation of the fine art of screenwriting in the world of cinema. Since then, NFF has become one of the premier destination film festivals in the world. Visitors come from all over the world to experience the preview screenings, unique signature programs, and stand out hospitality on a magical island rich with history, a friendly atmosphere, and beautiful sandy beaches. In addition to screening over 100 films across seven days, NFF presents The All-Star Comedy Roundtable, Screenwriters Tribute, In Their Shoes…®, our daily Morning Coffee With…®, and other Signature Programs.
The Nantucket Film Festival is supported by Showtime and The White Elephant Nantucket Island as Major Sponsors; and Bank of America, A&E IndieFilms, Brand Content, and Delta Air Lines as Signature Sponsors.
The 25th annual Nantucket Film Festival will take place June 23-29. For further information on the 2020 Nantucket Film Festival, please visit www.nantucketfilmfestival.org.
THEY ALL STOOD UP: THE LIFE AND LEGACY OF JAMES COTTON is currently in production with plans for a world premier in Spring 2020. It is an emotionally evocative feature documentary that portrays the untold story of James “Superharp” Cotton, a legend whose musical influence shaped the Chicago Blues style and beyond. Having been mentored by the originators of the Delta blues tradition, Cotton played a pivotal role in making the blues prominent in the evolution of the American roots sounds of the 20th century. The story brings to audiences a unique appreciation of the blues harp as part of American culture that became sophisticated and exported around the world, offering opportunities for musicians to transcend the restraints imposed by poverty and race. Cotton’s life tracks a swath of America’s history — from the post-depression cotton fields of the Mississippi Delta to tough Chicago-land era of artistic reinvention to today’s live music scene in Austin, Texas. Along the way Cotton played with Muddy Waters, toured with Janis Joplin, Steve Miller and became a sought after performer on stage with Led Zepplin, Paul Butterfield, the Grateful Dead, Jimmie Vaughan, Santana, B.B. King and Buddy Guy among many others. This film probes deeply the story of a man and his instrument that became a gift to the heart and soul of what it means to sing the blues.
Rarely seen archival footage and stills are woven throughout a visual landscape of original footage in which some of today’s finest harp and blues musicians lead us on a powerful journey, bringing a fresh and deep understanding of the harp in the expanding blues tradition. In new interviews and original concert recordings, Buddy Guy, Jimmy Vaughan, Steve Miller, Huey Lewis, Billy Branch, Annie Raines, Curtis Salgado, Kenny Neal, Rick Estrin, Bob Margolin, James Montgomery and many others bring Cotton’s story to life and leave us with an understanding of the lasting impact his music has imprinted upon our cultural heritage. Cotton’s unique mixture of high quality musicianship and seemingly boundless energy is an expression of an artist who became the ultimate showman and who made the world pay attention to the “harp” as a complex instrument with its own voice. This journey unfolds in a joyful, thumping original film through an exploration of harp-based blues music and stories shared by some of the most respected musicians.
Fundraiser on February 27 at the Regatta Bar
Funds raised at this event will help fund additional interviews and editing. Donations to The Reel Blues Fest, Inc., are tax deductible to the extent permitted by law. All donors will be thanked by name in the credits.
Director, Bestor Cram, Produced by The Reel Blues Fest, Inc. and Northern Light Productions.
For more information: www.jamescottonfilm.com
Follow us on Facebook: www.facebook.com/thereelbluesfest
Contact: firstname.lastname@example.org or 508 495-3456
IMAGINE Magazine presented its IMAGINE Industry New Year’s Celebration & “Imaginnaire” Awards Gala in the exquisite “Glass Room” at the Seaport Tuscan Kitchen in Boston. The Gala is held on the second Tuesday of each New Year expressly to celebrate our peers and honor new “Imaginnaires.”
“We host this opportunity to toast our industry and the people who work in it. Often new friends, new ideas, and new collaborations spring from tis festive occasion,” says IMAGINE Publisher Carol Patton.
IMAGINE Magazine covers the Business of Film, Television, and New Media Productions in New England. Previous “Imaginnaires” have been Academy and Emmy Award winners as well as steadfast supporters of the film industry including Casey Sherman, Rex Trailer, Douglas Trumbull, Lisa Strout, Ernest Thompson, Christy Cashman and many more.
This was the Fourteenth Gala where IMAGINE Magazine honored five new honorees: Boston based actor and TV Host Jan Waldman, President of Women in Film and Video of New England (WIFVNE) Alecia Orsini Lebeda, Founder and CEO of ELEMENT Productions Eran Lobel, Massachusetts Representative Tackey Chan who introduced House Bill No. 2419 – an Act to remove the film tax credit expiration date, and filmmaker and Blues legend James Montgomery.
2016 “Imaginnaire,” and noted actress Erica McDermott (THE FIGHTER, BLACK MASS, AMERICAN HUSTLE) served as the evening’s Master of Ceremonies gracing the stage with her humor and wit. She was assisted by presenters selected to introduce each new “Imaginnaire.” Presenters included Boston based actor Mary Hronicek, WIFVNE Administrator JoAnn Cox, ELEMENT Productions COO and Executive Producer Kristen Kearns, New York Times Bestselling Author Casey Sherman (The Finest Hour and Boston Strong – both made into major motion pictures) and the Executive Director of Woods Hole Film Festival, Judy Laster.
The citation for the “Imaginnaire” Award is: For Creative Vision, Leadership and Commitment to Excellence. For Distinguished Service Advancing the Business of Film, TV and New Media Production in New England. Recipients are rich in creative ideas and execute brilliantly. They are generous of themselves and their resources in service to our industry and its members.
Patton adds, “We view each recipient as making a significant contribution to our industry in New England. We are so very fortunate to have them in our midst. They inspire us all and help us succeed as an industry! I genuinely extend special thanks to everyone who helped make this event another magical and memorable evening.”
Hello everyone, I am very excited to announce our presenters for our IMAGINE New England Industry Celebration & “Imaginnaire” Awards Gala on January 14tin the exquisite “Glass Room” at the Seaport Tuscan Kitchen.
Please join us for this once a year magical evening and support the industry and the work IMAGINE does in its behalf. Now, meet our amazing presenters for the Awards Gala! If you haven’t already, RSVP as soon as you can. I genuinely appreciate your support!
Our Imaginnaires Presenters:
Casey Sherman will present to Massachusetts Representative Tackey Chan. Casey is a New York Times Bestselling Author including The Finest Hours (now a major motion picture starring Casey Affleck & Chris Pine) and Boston Strong (the basis for the film PATRIOTS DAY starring Mark Wahlberg).
Judy Laster will present to James Montgomery. Judy Laster is the founder and director of the Woods Hole Film Festival, now in its 29th year. She is also the co-founder and director of The Reel Blues Fest along with James Montgomery. Together they are producing the feature documentary, JAMES COTTON: THEY ALL STOOD UP, directed by Bestor Cram.
Mary Hronicek will present to Jan Waldman. Mary is a Boston based actor who also enjoys working behind the camera (production design, AD, Scriptie). As an actor, Mary enjoys exploring complicated, challenging characters like ‘Joan’ in the award winning film, GUTTERBUG.
Kristen Kearns will present to Eran Lobel. Kristen is the COO/Executive Producer at Element Productions. With more than fifteen years of experience working with amazing and talented creatives on broadcast campaigns, web content, and TV shows. She captains the ship at Element.
JoAnn F. Cox will present to Alecia Orsini Lebeda . JoAnn is a Board member of and administrator for Women in Film and Video New England. She enjoys stories (writing, telling, listening, watching!), making connections, and tackling details. She hates limes and loves STAR WARS.
Every year IMAGINE collects predictions for the New Year from Industry Leaders. Enjoy these for 2020. pub
Don Packer, Founder and Video Editor – Engine Room Edit, Brewhouse VFX and Conductor Productions
First, I predict that I will seriously enjoy my second year of career of watching things from afar. At the start of this year I did something that I didn’t imagine when I opened EngineRoomEdit thirteen years prior and that is, sold it. Certainly, didn’t predict that but, I could have.
I predict that small companies in the advertising business will continue to win the battle across the board. They have been for a while. With low overhead and massive amounts of freelance talent lying about as the big agencies continue to thrash about, why not. I’m not saying the big agency model is dead, it’s just that there is a LOT more chances for smaller agencies than ever before.
I predict that even if you know how to run the gear and can afford the ever-lowering price, nothing changes. The greatest software remains the human brain. Without the smarts and the creative talent, you simply have a lot of nice gear.
I predict that the fi lm tax incentive in Massachusetts will finally have the Sunset Clause removed because frankly, even the state doesn’t want to kill this cash cow. The amount of work we have had and continue to have, and the amount of work that wants to come here is enormous. No study will
show anything but the upside if it’s a fair one. And by the way, every state that has killed their tax credits is giving themselves a hard look over their past erroneous decision to do it, (Hello North Carolina).
I predict (and this isn’t a hard one) that with 5G coming the chance to send larger, more complete fi les video fi les will drive everyone in editorial and visual effects nuts as they struggle to perform a level of visual acceptability to their client in round one of approval that used to be expected in the final round.
That voiceover records will be better than ever. With 5G it will sound like the talent is standing right next to you even on a regular cell phone. This is going to be huge because even with a phone patch, we are missing some of the nuances of a person’s voice vs. recording in a studio sound booth.
I also predict that our 5G system in America will suck for some time, compared to China’s version. But we’ll come around.
I predict that clients who are shall we say, uninformed, will remain so. Yes, things CAN be done cheaper and there are many opportunities to cut corners. But in the end, the money you put in is directly proportional to thelook of the end product. Saving twenty grand on a shoot doesn’t mean you’re smart. It simply means you saved twenty grand and probably lost an opportunity to look that much better in the end.
Oh yes, a recession is coming. That’s not hard to predict. Hang on to your hats. I always liked a good little recession. People spend more dollars on advertising. Just don’t make it a big one.
And finally, an easy one: The Red Line will continue to breakdown at the most in-opportune times.
Jan Waldman, Actor, TV Host and Producer
Asia’s role in Financing Films in 2020 China has become the driving force behind big budget films. The issue with this is that not all American films translate well in the Asian market. Action/Adventure movies do well there, but the comedies, romances, or quirky movies with an American theme literally get lost in translation and this factors in to which films the Asian market will finance, since the American market is dealing with a much smaller budget, this can be a mitigating factor in dictating which big budget movies are being financed. My prediction is that the large budget independent films will need to take the lead on the more unusual type films and hope for recognition during the awards season.
Netflix and Amazon Prime are both investing millions in their programing and it is paying off for both them and the consumer. The streaming services are producing excellent movies, mini-series and television shows that are drawing in all types of viewers, unlike the movie theater industry which is being hamstrung by finances.
One more factor is the convenience viewers have while watching their favorite shows/ movies from the comfort of their homes with TV’s that far surpass the quality of a movie theater screen.
My hope for the movie theater industry (AMC, Cinemark, Cineworld) would be to upgrade their viewing screens. Poor screen quality in movie theaters is another factor in loss of revenue.
My belief is that the movie theater attendance would increase greatly if the screen quality was updated and improved with larger screens making for a more enjoyable viewing experience. Who doesn’t love a movie night out?
Andy Liebman, Founder & Chief Strategy Officer at EditShare
Broadcast and content creation agencies are beginning to decouple their workflows from proprietary systems. We are seeing more facilities beginning to adopt a ‘best of breed’ approach, choosing the right vendor with the right solution for their part of the workflow puzzle. EditShare is a proven choice for these facilities, offering creative agnostic freedom through openness in its entire ecosystem. Our Flow media management solution throws a blanket across all creative and delivery platforms, working as the digital glue to connect everything together.
Content is the most valuable asset a facility owns. A facility needs to curate the content and deliver the story to their clients, whether it’s a broadcaster or an OTT provider. The facility curating the content needs to make sure they keep that content secure and mitigate the risk of theft. We’ve all seen the stories about movies or valuable programming appearing on the web prior to its release, causing major loss of revenue and job losses through the industry. With EditShare EFS Auditing, we are bringing extreme accountability to facilities dealing with high value content by tracking every file interaction inception through to delivery. The five W’s of file security are constantly watched— “Who did What to Which file When and Where?”
This data is constantly logged in real time, enabling every footprint to be traced. Additionally, this capability meets new media and entertainment security guidelines which are quickly becoming mandatory for doing business with high profile content providers.
Cloud is also a major part of the production story as it enables facilities to bring costs down by utilizing cloud technologies. EditShare has been working diligently with cloud providers over the past four years to bridge facilities and develop an on-ramp to cloud workflows.
While on-premise will have a place in the production chain for many years to come, cloud will become more important as we enter a new production world. With EditShare, clients can feel assured that their investment today in on-premise solutions will be fully “migratable” to the cloud when and where it suits the customer.
Alecia Orsini, President of Women in Film and Video of New England
I have big hopes for 2020! I predict more productions coming to our region and blossoming! It would be wonderful to see another TV series establish itself in New England for multiple seasons. More productions in New England will lead to the substantial growth of our rental facilities and post-production houses.
I hope our college students will stay in New England rather than jet off to other states for jobs, and that we can help them thrive right here. The mood in the region is hopeful as we all row in the same direction, supporting the voices of our local filmmakers and sharing our talents with the rest of the world!
Women in Film and Video of New England has that same sense of hope. We’ve had growth in membership and connectivity, and will continue this trend into 2020 as people rally to the cause! We are capturing this energy with mentorships as we connect women with mentors across the film community, ever more supporting their voices. Nationally, we see small changes taking hold on how women are viewed and treated in the film industry. There is a long way to go, we see the effort being made, and we are hopeful that more is on the horizon.
As we round out the decade, I think about how far we have come and the wonderful people who have made and will continue to make our industry so rich. I am thankful for the opportunity to be here doing what I love with this community. Here is to more great films, stories and memories to come in 2020.
Elaine Grey: SAG/AFTRA Actress/Director/Writer
My first 2020 prediction is, that I believe that the Entertainment Industry will be seeing another Castle Rock production, right here in Massachusetts. An outstanding Series 2, 2019, kept viewers on the edge of their seats, and looking for more of Stephen King’s suspenseful thrillers. Watch for Castle Rock, Series 3 to announce its plans.
While the number of television Series (i.e. Castle Rock and City on a Hill) and others have been on the rise, in New England, I predict that we will see an explosion of new projects, in development, over the coming year.
SAG/AFTRA New England will make great strides this year, with incoming President Andrea Lyman at the helm.
Following in the footsteps of her successful predecessor, Michele Proude, Andrea Lyman will lead her fellow Officers, Board Members and Staff to new horizons. They will continue to support peer organizations and their membership with the ongoing mission to fight for Retention of MA Film Tax Credits and Elimination of the Sunset Clause. I see Andrea Lyman and her team working on developing the Growth of Commercial Contracts; Membership & Program Development, along with a myriad of other existing and new projects, and bringing them to new heights during the coming year.
IMAGINE Magazine will continue to be the first and foremost provider of Entertainment News in our Industry, here in New England and beyond. IMAGINE’s Publisher and Editor, Carol Patton will also remain a promoter of the Arts, forging ahead, as usual, to ensure that we retain our Film Tax Credits and put an end to the Sunset Clause.
I predict that, during the coming year, the film Industry, particularly Scriptwriters, will have more of a focus on Inter-generational projects, ones that features the over-50 generation of “Baby Boomers” (1946-1964), “GenX,” (1965-1979),”Millenials” (1980-2000), and the upcoming “Gen Z,” working together, side by side, and fi lling the age Gap across the board, with feisty drama, laughter, revelation and lots of sizzle. How awesome!
All in All, 2020 should prove to be a remarkable year.
Vinca Liane Jarrett, Esq., FilmPro Finance
More channels such as Disney will emerge, and people will subscribe to what they like, but still keep Netflix, which has a jumpstart of more than twenty years on all of them, so the big fear that Netflix will disappear or the prediction that Disney will own the OTT space is just plain wishful thinking without basis in reality.
More heartfelt movies based in true stories will be made and distributed than ever, because it’s what the public worldwide needs to watch to escape the political turmoil and chaos caused by politicians who care more about money than the people or our planet.
Steve McGrath, Editor/Writer of IMAGINE’s Tech Edge and Sales Engineer for Zixi AI
Computing Becomes Mainstream – I love the idea of AI computing. Right now, it’s used in task oriented workflows like file conversions and black detections. But next year, I think AI will blow up where it won’t only do task oriented computing, but content quality computing as well. Making sure colors are accurate, making sure there is no pixelization.
From there, the possibilities are endless. I think AI could replace “workflow foibles”. We all have them and we all know what they are. They are the goofy, unnatural things you do in your workflows to just get things out the door. I am hopeful that AI can learn and improve such foibles.
Do I think a reality show could someday be edited by a machine? Absolutely. Can AI compete with a Scorsese film and make a creative masterpiece? Absolutely not.
Judy Laster, Executive Director of the Woods Hole Film Festival
2020 will see an increase in independent film production, both feature and short film series. The need for content will be beneficial for aspiring filmmakers and crew in Massachusetts.
Film Festivals will play an increasingly important role in the life cycle of independent films, especially if studios are allowed to own theaters again if the Paramount consent decree is lifted.
The Woods Hole Film Festival will host its 29th edition!
Frankie Imbergamo, Actor, SAG-AFTRA Boston
I think 2020 is going to be a great year in our state of Massachusetts for the movie Industry.
The tax incentive for movies to be filmed here has been stable so I think a lot of the production companies have their eyes on Massachusetts again.
As it has in the past. Why wouldn’t you? Our state has it all! The past year 2019 we have had a good amount of movies as well as TV series filmed here. I as an actor would love all the movies to be filmed here as so many other actors from Massachusetts would –keeping us very busy! I know in the past we lost a lot of movies to Georgia but I think we will now be getting them back. 2020 will be a blockbuster year for us here in Massachusetts.
Thanks to IMAGINE Magazine and Carol Patton for going the extra mile for all of us actors and production people from Massachusetts.
Steven Feinberg, Executive Director of the Rhode Island Film & TV Office
This will be Rhode Island’s best year yet for film and television productions!
There will be a prestigious production which will have a powerful impact on our creative community as well as our tourism industry! Oscar winner of THE GREEN BOOK and Rhode Island native, Peter Farrelly, will be a presenter at this year’s Academy Awards!
THE IRISHMAN, which was executive produced by Rhode Islander, Chad Verdi, will receive several nominations during the awards season.
There will be a big surprise when a local film director begins production on a new feature! Another television series will commence in the fall of 2020! Several top notch actors will be in Rhode Island this year and at least one will purchase a home in Newport!
The Rhode Island International Film Festival will once again select their Grand Prize winner which will go on to win the Academy Award for “Best Short Film”.
A Rhode Island made production will be box office gold! Those are my predictions for the year. Looking forward to a healthy and happy New Year for all of our friends and families! Enjoy the world!
Jan Waldman is a Boston based actor, TV Host, contributing writer to Imagine Magazine and Co-owner of Critter Casting. Born and raised in Minnesota, Jan moved to Boston in 1984 and worked as a nurse at Massachusetts General Hospital, married Dr. Howard Waldman, and raised two daughters, Alanna and Mikhaila. In 2012, Jan dove into her new career and quickly became an avid supporter of the industry and independent filmmakers. To date she has more than sixty film projects and commercials on her resume.
Alecia Orsini Lebeda, President of Women in Film and Video of New England
Alecia is an award winning multi-media professional with 12+ years’ experience working in the film industry. She is a prominent voice in the region’s film community as President of Women in Film and Video of New England. She also uses her marketing and development skills at NPR station WCAI, a service of WGBH. She also devotes time to Save MA Film Jobs, working behind the scenes for the grassroots organization. She was named one of the Cape & Plymouth Business 40 Under 40 for her volunteer work & entrepreneurship and is a lifetime member of the Girl Scouts.
Eran Lobel, President & CEO Element Productions.
Eran founded ELEMENT in 1998 and grew it into one of New England’s premiere full service production, post production and integrated content companies. He has a passion for technology, food, and entrepreneurship and produces award-winning content for commercial and web advertising, television programs and long-format films. Eran is a founding board member of both FILMA and the Massachusetts Production Coalition (MPC), is a current board member of the Boston Ad Club and also serves on the City Year Boston Board of advisors. In his free time, Eran enjoys… just kidding, he has no free time.
Tackey Chan, Massachusetts Representative
Massachusetts House Representative Tackey Chan, represents the 2nd Norfolk District. Chan assumed office in 2011. Tackey is an industry legislative supporter who introduced House Bill No. 2419, An Act to remove the film tax credit expiration date. Over one hundred fellow legislators have become co-sponsors of the bill. Massachusetts Film Tax Credits expire the end of 2022. The passing of his bill will ensure studios, networks, streamers and other producer that they can continue to plan to use Massachusetts as a solid location for their productions continuing to create jobs and business here.
James Montgomery: Producer & Musician
Blues Legend James Montgomery continues to bring down the house on a nightly basis fronting his incendiary band in a career that spans six decades. Montgomery’s college band was signed, almost immediately after he graduated from Boston University by Capricorn Records. That signing would lead to years of touring with most of the biggest names in the business including Aerosmith, Bruce Springsteen, The Allman Brothers, Steve Miller, Bonnie Raitt, B.B. King and a host of others. Montgomery was featured alongside Morgan Freeman and Willie Nelson in DELTLA RISING, a documentary about the roots of the Blues. He is currently co-producing JAMES COTTON: THEY ALL STOOD UP, a loving tribute to his mentor, with Judy Laster also producing and Bestor Cram directing.