Take 2: November 2020

It is my deepest heartfelt hope that each and every one of you is whole, well and hardy. But, let’s face it, it is what it is, and even though I am eternally optimistic, I fear it’s going to take longer than we’d like before we are safe to resume our normal routines and workpatterns. Meanwhile it will be challenging.

Someone said, “To thrive in life you need three bones: A wish bone, a back bone and a funny bone.” This is especially true right now.

One thing I know for certain is that there is a pent up demand for our industry to work and when safety to work gets better the amount of production will be legendary.

I firmly believe that everyone who is able is working to make it as safe as possible to work; work has already begun to return to New England and especially Massachusetts. More is expected in November. Both a feature film and TV series have booked New England Studios beginning in November. And it appears the major casting companies are auditioning aplenty.

The Lionsgate – HBO Max pilot, Julia, is once again shooting in Malden. I’m grateful for that as I want this story, it’s a drama, about the whole life of Julia Child and I don’t believe it will be centered on cooking…. Joan Cusack stars; Chris Keyser is the Executive Producer.

Return to Work Agreement

This for our back bone, The Covid-19 Return to Work Agreement with DGA, IATSE, SAG-AFTRA and Teamsters/Basic Crafts have come together and signed this basic agreement for best practices as to how to safely get back to work. This agreement took months to hammer out as every entity did its best to insure the safety of its members. And yes, there will be testing. “Prospective employees shall be tested for COVID-19 prior to the start of employment…” There are three methods of testing acceptable. And there will be periodic testing by zone. Zones are established by how safe your job is – the amount of PPE, etc. If you’re working remotely, no test is required. And there will be temperature tests at least once a day. Believe me, this is just a thumbnail with many variables.

The agreement is long, but thorough. If you would like to read the full agreement you can find it here on our website.

MA Film Tax Credit Sunset Date

And so, deep breath, it appears that slowly the production business is beginning its comeback across the U.S. and Canada. Perhaps a bit more quickly in Massachusetts as reported to me by industry participants.

Here in Massachusetts industry workers and supporters have had their eyes on a very important prize and that is the elimination of the state’s film tax credit sunset date. We all know that studios and major producers need to have confidence that when their production is ready to go, a credible film tax credit will be intact.

Our industry plan was to get legislation that would end our Film Tax Credit sunset date earlier this year. But, due to the pandemic, legislative needs exceeded its normal capacity and our bills were not taken up. Perhaps understandably; perhaps not, as I believe a booming film and television production
industry would provide enormous support for a quicker recovery in the Commonwealth. Our burgeoning industry in 2008 genuinely helped Massachusetts weather that depression and we didn’t have near the difficulties that many other states experienced across the country. We will certainly do that again; that is if we can eliminate our sunset date.

Productions are attracted to Massachusetts because of our superior film tax credits. There is no debate about that. It is an actual fact.

Castle Rock Season 1 Study of Economic Impact

shooting Castle Rock in western mass

October 21, 2020, I attended a Zoom session that was an industry briefing for our legislators. Its intention was to refresh our legislators in a very spectacular way about the successes our industry has brought to our region. It reported a new study that supports our interest. This is a first-of-a-kind economic impact study that clearly demonstrates the effectiveness and viability of our industry. The
report covered the first modern episodic TV series shot in Massachusetts in twenty-five years and created 1,026 jobs for starters.

Hulu’s Castle Rock Season 1 study quantified a powerful economic impact of episodic TV and streaming production in Massachusetts. Here are some of the highlights from the study:

“Season 1 of Hulu’s Castle Rock, generated $69 million in economic activity across more than 210 towns and cities in the state, according to an economic impact study released today. With the local film industry poised to be a catalyst for the state’s economic recovery, the study reveals that production of the Warner Brothers series generated approximately $4.73 of in-state economic activity for each dollar of state tax credit anticipated to be issued to the production.”

“After years of growth and development for our local film industry, Castle Rock represents the enormous increase in production for streaming platforms and the future of film and TV production in Massachusetts,” said Chris O’Donnell, Business Manager of IATSE Local 481, the union representing technicians and craftspeople on film sets. ”Episodic series employ more local workers for longer periods of time, use more local businesses, and are the engine of growth for the industry in Massachusetts. In the three years since the filming of Castle Rock Season 1, five other episodic series have already filmed in Massachusetts.”

“Castle Rock illustrates the impact that film, TV, and streaming productions are having in the Commonwealth over and over again,” he continued. “This study quantifies how a single production can provide hundreds of workers with good-paying union jobs and support local businesses all across the state. These are exactly the types of jobs and investments the state needs to grow our economy following
the COVID-19 economic crisis.”

Produced by Warner Bros. Television for the streaming platform Hulu, Castle Rock, a psychological thriller series based on the works of Stephen King, was based at New England Studios in Devens, Massachusetts. The first season of Castle Rock was in production between March 2017 and February 2018 and premiered on Hulu on July 25, 2018. Filming took place in Devens and throughout the state, with major on-location filming occurring in and around the town of Orange, Massachusetts. A second season,
produced at New England Studios in 2018 and 2019, premiered on Hulu on October 23, 2019.

“Our $35 million studio, built eight years ago, has been fully booked for the past few years, and there’s constant demand from the streaming companies for additional space,” said Gary Crossen, General Manager of New England Studios in Devens, which has hosted major TV and streaming productions such as Hulu’s Castle Rock, Netflix’s The Society, and Apple TV+’s Defending Jacob. “Massachusetts needs more state of the art infrastructure, such as our studios. And whether additional studios are built by us or some other investors, it would make no sense to do another multimillion dollar building project for a business that may go away in less than two years.”

“All the major production companies I deal with need clarity about the future of the state’s commitment, as they plan feature films and series several years out,” he continued. “The film and television industry can be the economic infusion our economy needs going forward, but only if legislators eliminate the sunset of the production incentive program and provide certainty to our industry.”

During the legislative briefing, workers who were employed by Season 1 of Castle Rock discussed the impact it had on their lives.

“Without Castle Rock I would have had to be on Massachusetts state health insurance, but due to my employment as a recurring stand-in I was able to earn insurance through my union, SAG-AFTRA,” said Andrea Lyman, New England Local President of SAG-AFTRA, who worked on both seasons of Castle Rock. “Episodic series like Castle Rock help provide hundreds of Massachusetts workers with steady wages and benefits every year.”

Attending legislators lauded the Film & Television Production Incentive program for creating jobs and economic impact across the state, and warned that the sunset needs to be removed to ensure its benefits continue in the future.

“Massachusetts has many tax incentives and programs that primarily benefit highly educated, upper income workers, from biotech and finance to IT and insurance. The film production incentive is an important state investment designed to help working families: people without advanced degrees who work with their hands,” said State Senator Paul Feeney (D-Foxborough). “Now more thanever, with so many people out of work or looking for a new career, the film industry is a source of good-paying, family-supporting
union jobs for working families.”

Film Tax Incentive Impact on Our Economy

Since Massachusetts’ Film & Television Production Incentive became law in 2006, over 250 productions have filmed in over 220 cities and towns, together spending more than $2.6 billion in Massachusetts. By
making Massachusetts a leading filmmaking destination, the Production Incentive supports thousands of jobs throughout the state. Film and television productions have a significant impact on a local economy, from buying goods and services from small businesses to donating to local initiatives. Productions have
bought goods and services from thousands of local businesses in over 265 cities and towns – over 75% of all communities in Massachusetts.

But under current law, the program is scheduled to end in December 2022, which would kill this growing local industry and cost thousands of workers their good paying jobs and career opportunities. Pending
infrastructure investors and new multi-year episodic series are making decisions now about investing and where to film in the coming years. The uncertainty created by the approaching end date of the Production
Incentive is affecting business decisions today, and preventing major equipment and infrastructure investments at a time when we need it the most.

114 out of 200 state legislators co-sponsored legislation this session (H.2419 and S.1728) that would eliminate the sunset of the Film & Television Production Incentive program, and protect the jobs and economic benefits it creates.

“Because of the state’s investment over the past decade, Massachusetts has become a leading filmmaking destination. That means thousands of good-paying jobs and millions of dollars in local spending that benefits thousands of local businesses all across the Commonwealth,” said State Senator Michael O. Moore (D-Millbury), lead sponsor of the Senate legislation. “But if the sunset of the production incentive isn’t eliminated, those jobs and spending will disappear again, and many of my constituents will be forced to move to states like New York or California. We need to eliminate the sunset to protect, and
grow, the jobs and economic benefits created by film production here in Massachusetts.”

“In the past few years, we’ve grown our local film industry to the point where we can now regularly attract episodic series that create more jobs and help more local businesses. And with the growth in demand for streaming content after months of increased home viewership, producers are looking at Massachusetts to film many more projects here,” said State Representative Tackey Chan (D-Quincy), lead sponsor of the House legislation. “The local film industry is poised to help drive forward our economic recovery, but the sunset of the production incentive stands in the way. It’s time to remove the
uncertainty that’s preventing investments in Massachusetts film production, and let this creative industry create even more jobs.”

By making Massachusetts a leading filmmaking destination, the Production Incentive supports thousands of jobs throughout the state – from the sales representative at a lighting rental company, to the forklift operator at the local lumberyard, to the costumer on the film set. From 2006 to 2016, over 17,500 new jobs were created with an average salary of over $68,000. 70% of those jobs went to Massachusetts residents. The Netflix series The Society employed over 900, and the film LITTLE WOMEN employed over 500.

Hundreds of businesses have expanded and been created to meet the growing demand of the film and television industry. Because of the Film & Television Incentive program and the productions it has attracted, there are now more than fifty high tech post-production and visual effects companies across Massachusetts employing more than 550 highly skilled workers. These local entrepreneurs are building
small businesses that are part of the state’s growing creative and cultural economy.

And this is for our wish bone, due to the Covid-19 pandemic, the Massachusetts Legislature extended their legislative year to the end of the year. Yes, it was because they had so many new considerations
and community necessities to tend to. Because of that our industry bills were continuously not able to get on the docket. But, we’re still hopeful for this year. We need to do our best to make that happen for all the aforementioned reasons. What we can do is stay in touch with our Senators and Representatives even though they may have already confirmed that they are supporters of our bills. We need to keep our issues top of mind and push to get passage this year. It means so much to give that piece of mind to all the studios and major producers when they are considering locations for their film and TV productions.

Lunch with Matt & Ben

Lunch with Ben & Matt

This is for our funny bone because this would be fun. Massachusetts natives Ben Affleck and Matt Damon are looking to take a lucky fan and their friend out for an action packed lunch in Los Angeles at one of their favorite spots as they try to raise money to help the people of eastern Congo.

People can donate money to the Eastern Congo Initiative, founded by Affleck and Whitney Williams in 2010; you will need to go through the Omaze website to gain entries into the lunch-date contest.

One entry can be submitted without contributing to the initiative, but the more money donated, the more entries a person will receive.

We know these guys grew up together; won an Oscar together for GOOD WILL HUNTING. They’re best pals and lunch with them would be an amazing treat.

The winner and a friend will be flown out to Hollywood when it is safe todo so and join Affleck and Damon for a meal.They will also be put up in a four-star hotel. Whoopee! Visit Omaze for more details.

Read on

Take Two: Spring 2020

Just a few weeks ago many of us were celebrating the beginning of the best year ever for our New England Film Production Industry. There were eight productions in Massachusetts alone along with major commercial productions hiring everyone who was available to work. The New Year of 2020 was promising to be our best ever.

And then, in as little as two weeks, all that activity began to grind to a halt. The coronavirus (Covid-19) came calling, and literally there will be no more martini shots for a while. How did that happen? How were we so blissfully unaware? How do all things change so quickly?

The world’s largest film festival, Cannes, has cancelled. NAB, which hosts almost 100,000 people each year, has cancelled along with Avid Connect attached to the NAB conference. And now the Nantucket Film
Festival has postponed its 25th Anniversary Celebration, but plans to screen later this summer.

As you can imagine, our Spring issue had to be completely retooled, reconfigured as one story after another became moot. However, as one might always suspect, we found replacement stories that we know you will enjoy.

Right now our major role to play is to play it safe and stay heathy. Social distancing, self-isolating, business shut downs, gloves, masks, gowns, hospital beds, more hospitals, ventilators, tests, more tests combined with most everyone out of work is presenting extremely difficult challenges. These situations will require all our strengths,energies and innovations to overcome.

We must use our imaginations to ideate other kinds of creativity that will hold us through this arduous process. We will overcome and we will do it together.

Fortunately our entertainment industry has a gigantic tool chest filled with opportunity for many of its participants. I suspect that a writer or solitary editor experiencing uninterrupted creative time might not be such a bad thing.

“Streaming” is positively the word of the day. Netflix, Hulu, Prime Video, Apple, Starz, all the streamers really know their viewing is going way up. Many others will jump on streaming to see what potential it has for them be they a studio to become facilitator or an entity that needs a facilitator or those that need content outlets. To come up to speed on streaming please read our Tech Edge “State of Streaming” by Steve McGrath in this issue.

Many in our industry are very self-entertaining. In addition, there’s enough content out there to not only find something of interest, but, for instance, do like actor/singer Andrea Lyman and take online
dancing classes. The available universe is filled with learning opportunities. If you’re a filmmaker and haven’t found one yet, check out WWW in this issue. We found one for you. It may be time to go back to school online.

Carol Patton with Representative Tackey Chan in his office on Beacon Hill chatting about his bill to end the “sunset date” for the Massachusetts Film Tax Credits. An IMAGINE Photo.

The near term isn’t at all clear right at the moment, but we know that when we are on the other side of this pandemic sweeping our nation and world, the work will be stacked up just waiting for all of us to do it. When that happens we’ll be back in business in no time. As one astute prognosticator I spoke to today speculated, when this is over our industry will be “more important” not “less important.” I dare to say that’s the truth.

Carol Patton and National Boston’s Chief Engineer Tom Sprague with an early celebration
of our New Year. An IMAGINE Photo.

Meanwhile, I’ll take a little time and space to look back at the beginning of what we thought our industry’s best year ever. First of all, the IMAGINE Industry New Year’s Celebration & “Imaginnaire” Awards Gala, held this year in the gorgeous Glass Room at the Tuscan Kitchen was amazing. We have a photo review for you in this issue. There was a lot of energy and talent in this room. Hats off to our Master of Ceremonies Erica McDermott.

IMAGINE Publisher Carol Patton with the Gala’s Master of Ceremonies Erica McDermott.
Photo courtesy of Erica McDermott.

And congratulations to all our new “Imaginnaires”, Jan Waldman, Eran Lobel, James Montgomery, Alecia Orsini Lebeda and Massachusetts Representative Tackey Chan.

I had the good fortune to attend a very special evening with James Montgomery, Judy Laster and Bestor Cram. They are, of course, a Blues Legend, Executive Director of the Woods Hole Film Festival and award winning Director, respectively. The James Montgomery Band performed with special guest Grace Kelly on Sax and we were shown scenes from their film JAMES COTTON: THEY ALL STOOD UP. Held in the Regatta Bar at the Charles Hotel in Harvard Square, it was a fundraiser for the film. A most enjoyable evening.

Carol Patton and Carl Hanson at the Boston
Sci-Fi Festival Shorts program. Carl flew in from LA to see his film I/O, which was very well
received. An IMAGINE Photo.

Good news for all future blockbusters that wish to film in Rhode Island. The law has been changed. When a production spends $20 million dollars in the ocean state, it is no longer required to spend 51% of its budget in the state. Look for a tent pole soon….

We have a terrific story about Worcester, MA writer Caitlin McCarthy. Be sure you read it. She really had a pleasant surprise on Valentine’s Day when she received an email from the Academy (as in Oscars)
stating that she was among the Top Ten highest scoring women in the 2019 Academy Nicholl Fellowships in Screenwriting competition. Her screenplay WONDER DRUG was among the Top Fifty in that contest out of over 7,000 entries.

“As part of the Academy’s efforts to support women in screenwriting, it has invited me to Los Angeles for the annual WGFestival screenwriting conference in Hollywood this May. The Academy’s Educational
Initiatives and Nicholl Fellowships departments are collaborating to host the WGFestival, a weekend of panels, workshops, and special events focused on the craft and business of writing for film and television.” Caitlin told IMAGINE Magazine.

I want to encourage everyone to follow all the CDC recommendations and those of the state you are in. Use this time creatively – learn, be entertained, practice, reach out to friends and colleagues, and most importantly stay healthy and connected.

Read on

Take 2: January 2020

To say that this has been the best year ever for our New England production industry is the truth and it is to be celebrated. That every year going forward will continue to be the best ever is possible now. The future looks very bright, indeed. Just read our industry leaders predictions in this issue to have your spirits lifted.

So it’s time for us to celebrate and celebrate we will at our annual IMAGINE Industry New Year’s Celebration & “Imaginnaire” Awards Gala. Once again we’ll honor five members of our production community in New England and celebrate their work and our good fortune. This event is a grand networking event so bring your business cards and plan to connect with a future collaborator.

Many important film projects and partnerships have resulted by attending this magical evening. Watch for my emails for all the details, but make your reservations now as this event sells out every year. Go here to make your reservation www.imaginenews.com And remember your reservation automatically begins, renews or extends your subscription to IMAGINE for 2020. You don’t want to miss out on receiving each and every edition of IMAGINE delivered to your home or office.

This special party and a subscription to boot, makes a wonderful stocking stuffer or Christmas Gift. It’s thoughtful, filled with a fun evening and the subscription lasts all year. It doesn’t get any better than that. And you will be supporting the publication that supports your industry and supports and promotes our industry jobs and Film Tax Credits.

We are always so tuned into what’s happening right here in our marketplace, but it’s good to remember that our talent here is hired around the world. Case in point, Alexander E. von Richthofen, CEO and Producer at AARI Productions, has hired Elaine M. Rogers of Sennott Williams & Rogers Boston and New York as agent for their movie production RETURN OF THE GOLEM. The idea, conceptualization and screenplay have been written by Aliana Brodmann, renowned writer of numerous novels and contributing
journalist to several newspapers.

Germany’s largest film studio, the Studio Babelsberg in Berlin, has signed on as co-producer to this commanding mega production. Bringing the illustrious GOLEM, historical arch avenger and forerunner of all later super heroes, into the present turmoil as the charismatic and witty supernatural protector envisioned by the writer of this ingenious story. A prequel, THE GOLEM RISES, based on the 16th Century historical GOLEM Legends is also in the works.Fascinating!

Elaine Rogers is a Boston Entertainment Attorney who also has offices in New York. She has produced, executive produced and provided legal services for many films. Coming directly to my mind is SPIN, which I loved. Shot in Tucson (my home town) and southern Arizona it was a feast for my eyes. The story roped you right in and the acting was superb. Catch it if you can. Also, I remember SEARCHDOG, The story of Matthew Zarrella, a Rhode Island State Police Sergeant who rehabilitates “pound dogs” and turns them into Search & Rescue/Recovery Dogs. Through this fi lm, audiences are exposed to a rare and intimate true story about Matthew, his dogs and his students, and they witness extraordinary moments as he trains them to find missing persons. From Matthew’s video diaries, filmmaker interviews and four
years of real-time searches, we understand his motivation to help others, and his empathic methods of finding the lost and missing. Elaine was theProducer and Executive Producer on these two films respectively.

Another Boston based Entertainment Attorney, Vinca Jarrett, tours the world with films she is attached to and goes to most major film events both here at home and abroad. This week she is off to Paris for a surprise birthday party for a dear friend. Read her story in this IMAGINE as it pertains to CRYPSIS, a film made in Gloucester, Massachusetts, opening this week across the United States.

Sara Archambault has announced her new company Sara Arch + Bow, an independent documentary production company compelled by bold artistic vision and dedicated to uncovering vital, untold stories is working
on projects she is deeply passionate about.

After ten years in philanthropy and programming, She’s committing to the adventure of independent documentary film producing. Sara previously was the Program Director of the LEF Foundation and curator
of the award winning series The DocYard, held seasonally at the Brattle Theatre in Harvard Square. Abby Sun will replace her as curator for The DocYard spring series.

The Massachusetts Production Coalition’s MASS EXPO was another success again this year. Held once again at WGBH, I did my best to visit every exhibit and attend the live events. I was particularly attracted to Rethinking and Reinventing Content Creation led by Jeff Rosica, President and CEO of Avid Technology.

No matter where you stand in the creative economy, change is the new normal. Chances are you’re challenged with new ways to think about your work, and how you work, on a regular basis. The volume of quality opportunities available, the way people choose to watch content, and shifts in production technology, mean we’re all working harder and faster than ever.

Soon, I think, half the population will be involved in making content. It may not make sense, but content is in very high demand. And here’s something to thinks about. Avid’s Jeff Rosica foretells that faux and fake news is here to stay. They’re not just words to be bandied about. You simply cannot believe what you see and hear as video and sound is exceptionally susceptible to manipulation with the current technology. So as a media consumer, beware. Avid and other companies are working double time to create a technology to provide guidelines and proofs as to whether or not video and/or sound has been tampered with. Wait for it as it is on its way. For now, though, the legendary days of “Walter Cronkite
News” are in the past.

We have such a packed issue that I didn’t have room for a dedicated photo section remembering 2019. I have included a few photos here, but we will post the rest on our website for your viewing pleasure.

It is in my heart to wish everyone a very Merry Christmas and a healthy and Happy New Year. Thank you for your continued support of IMAGINE and our important ongoing Industry Goals to maintain success.

Read on

Take 2: October 2019

Paul Boghosian, Carol Patton and Dennis Serpone at the Nantucket Film Festival’s Screenwriters Tribute at the ‘Sconset Casino. Photo by Dennis Serpone.

Industry-wise it’s been an exciting summer for New England. Everybody I know is working! The studios are full, actors are working three, four, and five days a week, rental companies can’t get a day off and whether you are a prop, make-up, grip or electric, costumer, stand-in person (and all the others that make a film set tick), you’ve had a very profitable and demanding summer here in New England and especially in Massachusetts and Rhode Island. Most are feeling really great about it and guess what?

It appears as if the deluge of work is going to continue through fall and winter!

Suffice to say, our production industry has heated up and we need it to stay exactly that way. One of our concerns for the good of the industry right now is the looming deadline to our film tax credit incentive program. Otherwise everyone’s doing cartwheels.

Our 25% Film Tax Credit program is the only and I repeat the only reason studios and major producers bring their productions here even though we have everything a producer could hope for in our region. If we modify our film tax credits or if the sunset date is not eliminated, Disney or no other studio will bring work here.

Well, in Massachusetts, all good things don’t need to come to an end and that’s why our industry as a whole is supporting legislation to eliminate the end date to our existing law, which explicitly ends at the end of 2022. We fought so hard for this incentive program back in 2005 when it finally was enacted
to take effect in 2006. The bill wasn’t perfect, but we were able to “fix it in post” the following year and later extended the end date to 2022, actual January 1, 2023, which sounds far away, but it isn’t. Not if you are the bean counter for a major studio or network who plans series to last five to
seven years and blockbuster movies three to four years out. This is our dilemma at this very time! The solution?

Eliminate the sunset date of our existing law. Change nothing else and that’s imperative. Unless, of course, the tax credit could be lifted to 30% so we can compete with other states that have done so including Rhode Island.

I’ve been working at this for a long time I introduced film tax credits in IMAGINE in 2002 and wrote a definitive piece in IMAGINE October 2014 on how to make film tax credits work here. We have defended
them since to establish a new industry for the Commonwealth, no one else could see, but it was as plain as the nose on my face when I arrived here in 1996. We can be a major production center in the world.

I know there is untold amounts of money sitting on the fence to invest in infrastructure in Massachusetts, only to be waiting for the “elimination” of our film tax credits’ end date.

Yes, it’s true, Massachusetts will be examining all film tax credits next year! What does that have to do with our production industry? Nothing, really, if you examine the reasons all tax credits are being looked at. Keep this in mind when you talk to your legislators. Most tax credits are based on an industry or company’s future performance – building so much, hiring so many, etc. That can be “iffy” and many times promises for tax credits are not kept.

Here is what is important to know and remember. Film Tax Credits in Massachusettsare only given after a production has performed, after it has spent their money here and provided an affidavit duly certified by a Massachusetts CPA that the money has been spent. While creating thousands of jobs, a production pays for everything it uses while it’s here; it cleans up after itself once
it’s done. And if a production has anything left over, it donates it to our Massachusetts charities.

I just attended a most worthwhile hearing at the State House. A notable small business panel discussed how the looming film tax credit end date is hurting investment and threatening our local industry. Andrew Farnitano’s coverage is in this issue. Please read it.

Actor Frankie Imbergamo catches up with Popeye at the Encore Boston Harbor. The $28 million purchase raised some eyebrows, but company officials say the cartoon sailor is an invaluable part of the Encore Boston Harbor experience. Photo courtesy of Frankie Imbergamo.

The festivals this summer were outstanding! Woods Hole had over 6,000 visitors for its films. Who knew Woods Hole could hold 6,000 people?

Our IMAGINE House was a terrific success this year and I can hardly wait until next year when the Nantucket Film Festival will celebrate its 25th Anniversary. It’s going to be so big the festival is extending its celebration to a full week. Get ready for it! Read Paul Boghosian’s Nantucket Film
Festival experience in this issue. He gives you the big picture.

Congratulations to Andrea Lyman on her election to President of New England’s SAGAFTRA. I have admired Andrea and her work and industry participation since I first met her and I enjoyed writing this story. Since it is almost Halloween I must tell you this eerie tale she told to me that I didn’t have room to
print in her story.

IMAGINE this: Andrea recalls the time the location assistant on a pilot found a house that was actually a horrible mess instead of a mess that was “created” by the production art department. It smelled, there was a mouse running around and when we moved to another room away from the mouse someone noticed a hole in the ceiling. The make-up artist mentioned that was probably due to bats. We all were freaked out. Everyone left except the stand-ins because they wanted us there for an upcoming scene. One stand-in said, “Well, at least it couldn’t get worse” that’s when a PA came in and turned out the light because they were shooting a scene outside and couldn’t have light coming from the window. So there we
were contemplating our life choices as we sat in a dingy, dirty, dark filled room hoping mice and bats wouldn’t join us. Ah, showbiz is so glamorous?

RUNNER, Worcester, MA native Bill Gallagher’s life-affirming documentary about GUOR MADING MAKER, who ran away from his refugee camp in war-torn Sudan and ended up in New Hampshire when he was only nine years old, eventually becoming a running sensation and qualifying for the 2012 and 2016 Olympics, won the Best of the Fest Audience Award. Photo courtesy of WHFF.
IMAGINE first became aware of A FOUR SIDED BED in October of 2012 when we featured it in our AFM Special Edition in an article we titled “A FOUR SIDED BED: Some Love Stories Have More Than Two Sides.”
The purpose of our AFM edition each year is to spotlight film projects in New England in any state of development that are seeking funding, a director, casting, a production company – any of the innumerable things you can find at AFM. However, A FOUR SIDED BED’s journey began even much before then. Read our story in this issue, it’s a story worth examination.

I can’t help but notice that Angel Connell’s EVENING OF THE EVIL EYE script has been accepted at over fifty film festivals and competitions, award-nominated forty times, and has won twenty-seven “Best Screenplay” certificates and prizes. It’s no surprise that Angel is on the lookout for serious investors interested in turning his short horror screenplay into a movie. His success has been global in scale. EVENING OF THE EVIL EYE has won awards in Australia, Canada, England, India, Italy, Japan, Spain and Venezuela among others. The script has also won awards at over a dozen state festival
throughout the United States. Believe me, all hell breaks loose in this script.

I’ve included fun photos from the summer here as well. I hope you enjoy them and this issue of IMAGINE.

Read on

Take 2: April 2019

When we are on our way to the NAB Show in Las Vegas, a really big show, I can’t wait to get there and head to the Lobby between Central and North Hall. There I look for my friends Tom Sprague and Paul Beck at the Museum of Broadcast Technology (MBT) exhibit. It’s a never ending surprise of what they will be displaying and demonstrating. These products were introduced and used during the earliest versions of television as a medium.

As MBT’s website tells us, “In the beginning, this new medium of television was as different from its predecessor, motion picture film, as different could be. Motion pictures formed a permanent record crafted over time with great care. Television was live and immediate, leaving a permanent record only in the minds of the viewers” Imagine that! Television was live and if you missed it – it was gone. Sixty-some years ago that all changed.

In 1956; in twin events, one in Chicago at the predecessor of the modern NAB Convention, and one in Redwood City, California; Ampex Corporation introduced to the world a practical means of recording
television signals on magnetic tape. They called their new product Videotape. What a facilitating ramp up that required the ingenuity of American manufacturers that were up to the tasks of rolling out equipment and devices that would record, playback and transmit videotape!

Well, that vintage equipment in working condition is what you will see at the Museum of Broadcast Technology exhibit at NAB April 6th through 11th. And judging by the crowds I’ve seen around this booth
that old stuff is just as exciting to NAB Show attendees as the latest and the greatest cutting edge stuff embargoed right up until April 6th when NAB Show begins.

NAB Show brings together the entire digital ecosystem and is represented by professionals in advertising, app development, artificial intelligence, audio, augmented reality, broadcast, cable, cloud solutions, cybersecurity, digital video, digital signage, eLearning, esports, film, game development, government and military, houses of worship, in-vehicle entertainment, IOT, IT, live events, mixed reality, mobile, online video, podcasting, post-production, radio, retail, social media, sports, streaming, system integration, television, virtual reality, 5G and more – all there to connect with industry trailblazers advancing the art, science and business of content.

IMAGINE is distributing this magazine there – over 100,000 people attend from all over the world. We’ll cover it for you and bring back all the NAB Show news. We’ll have a keen look at all the exhibitors from New England.

Avid is coming off an amazing year. We have an update in this issue. I had a spirited conversation with Avid President and CEO Jeff Rosica and Avid Vice President of Communications Jim Sheridan. It’s back
to basics for the company founded by Bill Warner and they have surprises instore for their users. Avid changed moviemaking/editing for forever. Read their story in this issue.

IMAGINE Tech Edge writer Steve McGrath looked into new and transplanted high tech New England companies in this issue: 3Play Media, Telestream, Autocue and Zixi. I’ll be visiting Barbizon Lighting, Glidecam
Industries, EditShare, BorisFX, SeaChange, Izotope, Facilis, Broadcast Pix, Sennheiser, and a relatively new arrival from the UK to Connecticut, Take 1. I’ll bring home a full report.

Last month IMAGINE presented the Live Reading of FRANCONIA NOTCH in the ballroom of the Mandarin Oriental. The audience was mesmerized by this script from the exciting team of Casey Sherman (PATRIOTS DAY, FINEST HOURS) and John Stimpson (GHOST LIGHT, THE LEGEND OF LUCY KEYES). It was standing room only
and all the discussions I overheard after the reading is that people were spellbound. It was so successful, IMAGINE and Casey Sherman have teamed up again for a Live Read performance of the highly anticipated Fort Point Media film TURK before a live audience at the five-star Mandarin Oriental,Boston (Ballroom) on Sunday, June 2, 2019 at 2pm.

The filmmakers are looking for actors to play Bruins legends Derek Sanderson, Bobby Orr and other members of the Big, Bad Bruins. Slate Casting will be accepting actor submissions for all roles at SlateCastingTurk@gmail.com Actors chosen for the Live Read will also be given consideration for roles in the film. The Filmmakers seek both male and female actors 25 to 50 years of age.

TURK is a film about the wild life of Derek Sanderson, who assisted Bobby Orr’s Stanley Cup winning goal in 1970 and later signed the richest contract in professional sports before addiction to alcohol and drugs left him penniless and sleeping on park benches.

Sanderson credits Bobby Orr with saving his life and leading him on a path toward sobriety and redemption. The script was written by Casey Sherman and along with Dave Wedge will co-produce the film with production under their Fort Point Media banner along with co-producer Michael Bassick (BLACK MASS).

IMAGINE supports every element of our production community in New England equally. But, I have to say I am impressed with the writing that springs from this well and gets made into books, then movies and television series. Be sure you read about a new voice who’s first published novel, The River at Night,
has just been optioned by Miramax – Erica Ferencik. Her second book, Into the Jungle, is already being shopped around for motion picture. This book will be released in May.

There was great news from Hollywood when nine members of the cast and crew of SWEENEY KIILING SWEENEY including Star and Producer Steve Sweeney (2019 “Imaginnaire) and Executive Producer Dennis Serpone accompanied the film to its LA premiere. The film sold out. Peter Farrelly was in the audience. He’s fresh from enjoying three Academy Awards for GREEN BOOK including Best Picture, which he directed.

Peter and his brother Bobby Farrelly, of course, have written, produced and directed many films in New England including DUMB AND DUMBER, THERE’S SOMETHING ABOUT MARY, FEVER PITCH and more. Both of them have supported film tax credits for the region and we appreciate that.

Here’s something else I appreciate and that’s Wren Ross’ Annual Success Network Job Fair & Trade Show. Wren is known for her voice over workshops and the Job Fair is for her advanced students. She brings in
producers, casting directors and filmmakers to audition and interview each actor for eight to ten minutes. There are typically twenty to thirty actors and ten to twelve producers in attendance.

Vendors who may offer services helpful to voice over artists are also invited including photographers, graphic artists, web designers, home studio sound equipment providers and social media experts. It’s an all-around win –win opportunity. The Job Fair & Trade Show is Monday, April 29th from 4pm – 8pm at the
First Parish Church in Waltham. IMAGINE will celebrate its 21st Birthday in April 2019. We will have a party. Watch for the details because we want to see you there!

Read on

Take 2: March 2019

Mikhaila Waldman, Director Robert Krzykowski (THE MAN WHO KILLED HITLER AND THEN THE BIGFOOT) and Jan Waldman with Silas Archer Gustav. He had a significant role in the
movie. Photo by Carolyn Ross.

On March 3, 2019, just before we went to print, IMAGINE Magazine hosted a Live Reading of an exciting new script FRANCONIA NOTCH from Casey Sherman (PATRIOTS DAY, FINEST HOURS) and John Stimpson (GHOST LIGHT, THE LEGEND OF LUCY KEYES). Both are prolific writers and both get their stories and scripts made into movies that get seen. It was a wonderful afternoon staged at the beautiful Mandarin Oriental Hotel in Boston.

The reading was so well received and appreciated by everyone in the audience that we can’t wait to hear more about what’s instore for this work. Stay tuned, because we will have all the details in our next issue when we feature FRANCONIA NOTCH as our cover story.

This issue is timely as we have endeavored to demonstrate just how mature the Massachusetts production industry has become; which means we are perfectly poised to need more support to fly over that next hurdle. Our legislators are working hard to assist us. I’ve written a Film Tax Credit and Legislative update for this issue – it is our cover story because right now it relates to the most important tasks we have at hand. And those are to keep our incentives competitive and remove the sunset date. Also, we’ve chosen stories for this issue to reflect just how robust our industry has become. I hope you enjoy them.

Carol Patton, Christy Cashman and Dennis Serpone at Christy’s for a Christmas Eve Celebration. Photo by Dennis Serpone.

There are many photos in this issue and that is because we have had many occasions to take them and we wish to share them with you. Photos for our 2019 IMAGINE Industry New Year’s Celebration & “Imaginnaire” Awards Gala are on pages 20 and 21. This annual special event was held at The Social Register in the South Boston Seaport District and was filled with great magical moments and a good time was enjoyed by all.

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IMAGINE hosts this event every year of the second Tuesday of the New Year. 2020 will be Tuesday, January 14th – Save the date. Our purpose is to create an opportunity for toasting our industry and the people who work in it. It’s designed to get industry participants together, honor our peers, celebrate our work and enjoy each other’s company. We honor those who give back to our industry and shine a light on the success they share with all of us. Often new friends, new ideas, and new collaborations spring from this festive occasion. I wish to thank everyone who attended and showed their support for our work at IMAGINE Magazine. Thank you!

Next we are looking forward to the NAB Show in Las Vegas. The show’s tagline is “Where Content Comes to Life.” The NAB show is the world’s largest show for media, entertainment and technology. It will be held in April 6-11, 2019.

IMAGINE will distribute at the NAB Show and we can take your advertising message with us. Over 90,000 people attend from all over the world and we’re there to make sure they all know about our great Film Tax Credits in our great New England region.

NAB Show is the ultimate marketplace for digital media and entertainment. From creation to consumption, across multiple platforms and countless nationalities, NAB Show is home to the solutions that transcend traditional broadcasting and embrace content delivery to new devices in new ways.

NAB Show is where ground-breaking technology is unveiled, innovative solutions are displayed and game-changing trends are exposed. Prepare to explore aisle after aisle (bring your track shoes) of awesome
tech, cool gear, smart software, capable cloud solutions and limitless ideas and inspiration. Many New England companies will be exhibiting. We’ll bring back their stories for you.

Wishing a great rest of winter. Spring is sounding quite enticing about now.

Read on

Take 2: November 2018

Last month I actually hinted a bit about THE MAN WHO KILLED HITLER AND THEN THE BIGFOOT. I am so pleased to host the New England Premiere screening of this heralded motion picture for our greater Boston area.

Please join us on Thursday, November 15th at the Somerville Theatre in Davis Square for the New England Premiere of THE MAN WHO KILLED HITLER AND THEN THE BIGFOOT. This is an IMAGINE Magazine promotional event. I am determined to fill the theatre and hope you will help me do that. General admission is $15. And includes the Q & A afterwards with the filmmakers in attendance. There will be a VIP reception available prior to the screening that will cost $75 to meet with the filmmakers, cast and crew. It begins at 6:30 pm. The movie screens at 8 pm.

Jan and Mikhaila Waldman of Critter Casting will co-host our VIP reception along with Lisa Lobel of Boston Casting. Lisa did the local casting for the movie. Jan and Mikhaila’s beautiful German Shepard, Silas Archer Gustav, was in THE MAN WHO KILLED HITLER AND THEN THE BIG FOOT playing Aidan Turner’s (young Calvin Barr’s) dog. Silas will attend and be available for photographs.

The Q & A includes the director Robert Krzykowski, Executive Producer Douglas Trumbull, Music Composer Joe Kraemer and special effects guru Richard Yuricich. It will be lively I assure you. And we will have an opportunity to meet afterwards in the neighborhood. I’ll keep you updated as other cast and crew are added to our guest list.

I do hope you can be a part of this made in Massachusetts independent film celebration.

Hartley Pleshaw, one of our best writers, has interviewed the director of THE MAN WHO KILLED HITLER AND THEN THE BIGFOOT and its star, Sam Elliott. This film will most likely change how we think about independent film. I can’t think of anything so compelling that has or hasn’t come along in many years.

And this well springs from Massachusetts and was shot in western Massachusetts in and around Turner Falls, the home of Robert Krzykowski, the film’s director. He explains, “I think it’s worth noting that this isn’t a horror film, nor is it an exploitation film. This is a character study with some genre elements, but it’s much closer to a Hal Ashby movie or a Robert Altman film than it is to a bonkers exploitation flick. Bear that in mind as we spread the word. It helps to be honest about what this thing really is—even though there’s still a ton of mystery surrounding it.”

THE MAN WHO KILLED HITLER AND THEN THE BIGFOOT has sold out at every venue it has played in beginning in Montreal at its premiere at the Fantasia Film Festival and then in London, in Strasbourg and Sitges in Spain. It’s a character study of Calvin Barr that Sam Elliott brings home for all of us. Some say it’s his best role ever!

For us here in New England, this has been a very good year. There is so much to boast about. We didn’t have our usual fight to preserve our film tax credits in Massachusetts; Rhode Island increased their film tax credits to 30% and Connecticut reinstated their film tax credits after a substantial hiatus. What does this really mean?

Massachusetts film tax credit is as good as it ever was. 25% above and below the line, transferable, and better than New York as we do above the line – New York doesn’t include above the line. Rhode Island increased their tax credit to 30%, but it still has a cap of $15 million – still a great deal if you plan ahead.

Connecticut has reinstated their film tax credits after a long hiatus. But the numbers have changed considerably. Staggered the numbers now are this: Minimum spend has increased to $100,000 and makes the credit amount dependent on the production’s total expenses or costs. Production companies incurring production expenses or costs between $100,000 and $500,000 are eligible for a 10% credit, between $500,000 and $1 million are eligible for a 15% credit, and qualified expenditures over $1 million will continue to be eligible for a 30% credit.
So New England is well incentivized and major films and TV series are shooting in all three states. I believe 2018 will have the largest industry spend in our production history in Massachusetts. And as we look to 2019 there’s more in the pipeline, which does bring us to 2019.

This year IMAGINE Industry New Year’s Celebration & “Imaginnaire” Awards Gala will be held on Tuesday, January 8, 2019. As our celebration is always on the second Tuesday of the New Year, it will be earlier than usual this year as New Year’s Day is on a Tuesday. Please save the date and plan to attend. We have exciting new “Imaginnaires” to introduce to you. This is one of our best networking affairs.

I had the good fortune of trekking to western Massachusetts for the Berkshire Film and Media Collaborative’s 5th Annual Western MA Film and Media Exchange. It featured seminars on Screenwriting and pitching your project with LA based author, screenwriting expert and script consultant Pilar Alessandra. I have seen her many times at AFM. The event was extremely well attended and everyone I spoke to thought the day was a success for them. Pilar knows writing for film and TV inside and out and she presented exceptionally good advice. Her formula for creating a project’s logline is invaluable. Even John Stimpson uses it. See page 8 to read about John’s newest project written with best-selling author Casey Sherman.

Yes, 2018 has simply zipped by, but we’ll pause when we get together for IMAGINE’s screening of THE MAN WHO KILLED HITLER AND THEN THE BIGFOOT on November 15th. Please do help us fill the Somerville Theatre Main Auditorium. Then we’ll look forward to the IMAGINE Industry New Year’s Celebration & “Imaginnaire” Awards Gala in the New Year on January 8th.

Read on

Take 2: September 2018

THE MAN WHO KILLED HITLER AND THEN THE BIGFOOT starring Sam Elliot and Aidan Turner premiered in Montreal at the Fantasia Film Festival. Many in our region worked on this film including Executive Producer Douglas Trumbull along with one of my favorite acting canines Silas Archer Gustav (a Critter Casting staple). We’ve read the reviews from the Montreal and London screenings and we all want to see it. Everyone I’ve spoken to or read about who has seen it says “I just hope it gets seen.” I’m told it is a very different movie. The story is about a legendary American war veteran
who was recruited to hunt the mythical creature Bigfoot.

So, stand by for a an IMAGINE Boston premiere of THE MAN WHO KILLED HITLER AND THEN THE BIGFOOT sometime this fall.

The New England production industry has really heated up as we head into fall the location business is back, especially in Massachusetts and Rhode Island. There are crews working everywhere all over the Commonwealth. There’s so much I don’t know where to start except that it is
all good. And the real good news is that crews working now know what they will be working on next. I’ve heard stories of daily auditions for actors.

Carol Patton and SWEENEY KILLING SWEENEY executive producer Dennis Serpone during photo shoot at the Charles Hotel in Harvard Square. Photo by Carolyn Ross Photography
Carol Patton and SWEENEY KILLING SWEENEY executive producer Dennis Serpone during photo shoot at the Charles Hotel in Harvard Square. Photo by Carolyn Ross Photography

Castle Rock has been renewed for a second season, SMILF just wrapped its second season and there’s more TV series in the works. City on the Hill pilot has been picked up for series and we have our fingers crossed it will come back to Massachusetts, after all, it is set in Charlestown.

Zachary Quinto has been cast in the lead in AMC’s new horror drama series NOS4A2 now shooting in Rhode Island. Photo by Matt Winkelmeyer/Getty Images.
Zachary Quinto has been cast in the lead in AMC’s new horror drama series NOS4A2 now shooting in Rhode Island. Photo by Matt Winkelmeyer/Getty Images.

NOS4A2 began shooting in Rhode Island. It’s AMC’s new supernatural horror series. Zachary Quinto has been cast as the lead and Ashleigh Cumming has been cast opposite the STAR TREK star. NOS4A2’s
executive director and show runner, Jami O’Brien is …”over the moon to be working with such a phenomenal cast and creative team” calling Joe Hill’s book, “rich, imaginative and exciting.” An additional TV series in Rhode Island is expected, but it’s too early to announce.

I visited with Gary Crossen and New England Studios while HAMELINS were still in pre-production. There was a sign on the foyer wall, deliver here to Netflix untitled TV series. But, now the title is known and the production is in full swing for ten episodes. It will occupy two of New England Studios’four studios for the remainder of the year and perhaps beyond. All four studios are filled up and scheduled well into the future.

Silas Archer Gustav (CODE 13: UNREADABLE, THE MAN WHO KILLED HITLER AND THEN THE BIGFOOT) vacationing on Martha’s Vineyard. Photo by Jan Waldman.
Silas Archer Gustav (CODE 13: UNREADABLE, THE MAN WHO KILLED HITLER AND THEN THE BIGFOOT) vacationing on Martha’s Vineyard. Photo by Jan Waldman.

Titled HAMELINS in its pilot order, the show follows a group of teens who arrive home after a field trip is cut short, only to find themselves trapped within the limits of a city with its entire population missing. Together, they must establish a hierarchy and a survival plan.

Kathryn Newton, star of HBO hit Big Little Lies and prestige films like THREE BILLBOARDS OUTSIDE EBBING, MISSOURI and the upcoming Julia Roberts’ film BEN IS BACK, will star in Hamelins billed as “Lord of the Flies” meets “Lost.”

And we are looking at movies galore, JUNGLELAND shooting in the Fall River/ New Bedford area is about to wrap up. THE SOUND OF METAL just wrapped.

Greta Gerwig’s LITTLE WOMEN is in preproduction in and around Boston chosen for its authenticity. The production originally scouted Canada; suffice to say were genuinely pleased it chose Massachusetts. Emma Watson will play Meg, Saoirse Ronan is cast as Jo, Eliza Scanlen as Beth March, Florence Pugh as Amy and Meryl Streep is Aunt March, a role developed and enhanced
for Meryl. Cameras will start rolling the end of September.

Also in Pre-pro is WONDERLAND, a Robert B. Parker novel featuring Spenser of Spenser for Hire TV series, who returns to Boston’s criminal underworld to unravel a twisted murder conspiracy. The film stars Mark Wahlberg as Spenser and my wish is that this the precursor of another TV series or
sequel after sequel. Parker wrote such good true detective stories set in the greater Boston area. Peter Berg (PATRIOTS DAY, MILE 22) will direct WONDERLAND. Berg is partial to working here.

Publisher Carol Patton and IMAGINE’s Design Editor Monique Walton discussing everything in production in New England. An IMAGINE Photo.
Publisher Carol Patton and IMAGINE’s Design Editor Monique Walton discussing everything in production in New England. An IMAGINE Photo.

Wait there’s more, EVE produced by and starring Jessica Chastain will soon be shooting in Boston. Voltage Pictures, alongside Chastain’s company Freckle Films announced principal photography
is expected to begin before the end of the September. Tate Taylor (GIRL ON THE TRAIN, PRETTY UGLY PEOPLE) will direct. Voltage’s Jonathan Deckter is also onboard, serving as an executive producer.

In this issue we find out that Dennis Serpone (see cover story) will be working with the Murphy Brothers on their independent film RUNNING WAVES being prepared for the Falmouth, MA area. Lenny Clarke and Jordan Tofalo (SWEENEY KILLING SWEENEY) are now working with the Murphy brothers on
that film..

Actor Erica McDermott (THE FIGHTER, BLACK MASS, PATRIOTS DAY) and Publisher Carol Patton lunching in Harvard Square to talk about a record number of auditions in a very busy New England. season.
Actor Erica McDermott (THE FIGHTER, BLACK MASS, PATRIOTS DAY) and Publisher Carol Patton lunching in Harvard Square to talk about a record number of auditions in a very busy New England. season.

Entertainment attorney Elaine Rogers told IMAGINE she has been working on a major studio film that will be shooting in Massachusetts this fall but she can’t disclose the project at this time as she is under a confidentiality agreement. She is also working with writers Freddie Catalfo and Morgan Dudley and producer Kris Myer on a film they have in development called OIL AND WATER. It is based on a true David-and-Goliath story with a strong female protagonist. Read more about that in this issue.

John Stimpson’s movie GHOST LIGHT shot in and around Worcester is scheduled for its premiere at the LA Film Festival later this month. Read all about it in this issue along with a special screening for Nathan Suher’s HIGHER METHODS at the historic Foxboro Theater.

Coming next is our American Film Market (AFM) Special Edition. IMAGINE is looking for stories about New England Film and TV series projects in any stage of production from concept to completion that are looking for anything you might find at AFM including attachments of all kinds from cast to directors, a production company, financing and distribution.

Email publisher@imaginenews.com telling me about your project and what you are looking for.

New England Studios Business Manager Gary Crossen and Carol Patton checking out the studios newest tenant – The Hamelins, a Netflix TV Series in house for ten episodes through the end of the year that will air/stream in 2019. Photo by Dennis Serpone
New England Studios Business Manager Gary Crossen and Carol Patton checking out the
studios newest tenant – The Hamelins, a Netflix
TV Series in house for ten episodes through the end of the year that will air/stream in 2019.
Photo by Dennis Serpone

The American Film Market (AFM®) is the world’s largest motion picture business event. Over 7,000 industry leaders from more than eighty countries converge in Santa Monica for eight days of deal-making,screenings, conferences, networking and parties. Participants include acquisition and development executives, agents, attorneys, directors, distributors, festival directors,
financiers, film commissioners, producers, writers, the world’s press and all those who provide services to the motion picture industry.

Unlike a film festival, the AFM is a marketplace – with over 200,000 square feet of exhibition space – where production and distribution deals are closed. In just eight days, more than US$1 billion in deals will be sealed – on both completed films and those in every stage of development
and production. I wouldn’t miss AFM!

Read on