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Thomas Murtagh, Robert Wahlbers
and Richard Moos with a poster for ORPHAN.
An Imagine Photo by Erika Hahn
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It isn't over yet. Fact is there is still
much to come this summer. It already feels full though, doesn't
it? We've got hundreds of photographs to prove it's been a
busier than usual time of the year. I'm excited that there
is this much going on and I'm not just imagining it. The industry
in New England is "getting it on!"
Important stuff is happening, and I don't
believe "run away" production is affecting Ivywood as much
as say Hollywood or Minnesota. Make no mistake, "run away"
and "fly away" is a still a concern for our region. Massachusetts
experienced banner production during the Millennium turn,
posting an estimated $73.7 million generated in Mass by film
and television productions. However, also according to Robin
Dawson, Executive Director of the Mass Film Office, an estimated
$40 million was lost to Canada. That's judging from only the
productions that physically scouted and considered Massachusetts
before making their decision to go north. It would be impossible
to know how many productions made that decision based on discounts
and savings alone and went directly there. Mexico is getting
into the act big time. It is now possible to orchestrate a
dual co-production deal using both Canada and Mexico, and
I'm beginning to believe, there are other strategies that
can be summoned in as well.
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Rich Purcell, Michael Williams,
Carol Patton
& David Collins. An Imagine Photo by Ethan McMorrow
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As far as I know, Mayor Vincent A Cianci,
Jr., of Providence is the only one doing anything about this
situation from a tactical and legislative point of view. He
meets regularly with mayors from all over the country considering
what antidotes and tourniquets can be applied to this pirating
drain of our financial and entertainment product potential.
Clearly, he has established a model for spearheading and creating
competitive tax incentives through legislation (see special
section). But the rest of the region (especially Massachusetts,
the state that has the most to gain and lose), appears blindly
ignorant of the opportunity or the need to organize policy
or a plan to capitalize or promote a desirable clean air industry
with sizable economic upsides, and, oh yes, a fall-out of
increased tourism! How difficult is that?
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Brian Williams and Carol Patton
at the NBC sponsored Writer's Tribute honoring Walter
Bernstein. Photo by Paul Boghosian
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According to Dawson, "The City of Gloucester
has already experienced a significant increase in tourism
following the release of THE PERFECT STORM. I believe that
translates to revenue for the state and its citizens. The
State of Minnesota gives back $100,000 for each $million a
filmmaker spends in the state. That's called an incentive.
The State of Rhode Island and others provide a 25% state tax
discount to independent film investors that shoot in the state.
These are vital considerations. Others are just as important,
like making the state production friendly. Wouldn't it be
a good idea for all the unions to get together and make commitments
to improving the state's user-friendly status? I mean the
Teamsters, SAG & AFTRA, IATSE, and all the rest. Imagine has
been told by A-List Producers and Directors that if this state
could "do something" about its union difficulties, we wouldn't
be able to keep production away. And, of course, there needs
to be some consideration for the local independent production
community if only for its growing propensity for "break-outs"
and its own economic and cultural impact on the state.
Despite the orphaned condition of the industry
in Massachusetts, the cream of it keeps rising to the top.
That rich feeling of fullness is present this summer and good
"things" are happening. In a time when many companies' names
are getting longer, Scout Productions has announced that they
have reduced theirs to just Scout through a major restructuring
of the company into three divisions. Scout also announced
a stunning filmmaking partnership with CineAtlantica Media
for financing 4 - 6 pictures a year with budgets in the 3
- 15 million dollar range, and two New Media strategic partnerships
with iVAST and Soup2Nuts (see WWW this issue).
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John Stimpson & Michael Connolly,
THE GENTLEMAN FROM BOSTON.
An Imagine Photo by Erika Hahn
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Scout's new divisions are Scout Productions,
which will continue their traditional feature film and television
productions; Frontier, a recently launched New Media division
that will produce and deliver premiere interactive content
for narrowband, broadband, interactive television and wireless
markets; and Camp, offering state-of-the-art on-site production
and editorial facilities available for rent to outside production
companies. Imagine will feature an in depth look at Scout's
Frontier Division in the September issue.
Also good news for New England is non-fiction
film/TV specialist Blue Planet Entertainment has launched
its North American subsidiary in Boston. Blue Planet Entertainment
was founded in September 2000 as part of the diversification
plans of MEDIA! AG, one of Germany's market leaders in digital
media & broadcast technologies. Louise Rosen, an international
expert in non-fiction production and distribution has been
named Vice President & General Manager
Rosen joins the company with over twenty
years of experience in international television. She says,
"The collaboration with a powerful partner like Blue Planet
Entertainment offers a tremendous opportunity to further implement
my fundamental ideas about the business of high quality non-fiction
programming, as well as expand upon many of my existing relationships
with producers, directors and international broadcasters."
The Boston Film & Video Foundation, now
in its 26th year as a media arts center and membership organization,
also made an important announcement this week. Robert Glover
has been named its new Executive Director. Mr. Glover has
over 30 years of experience working in Boston's media production
community. His production credits includes a variety of award
winning local and national programs such as Zoom, Sesame Street,
Ready to Go, La Plaza, Say Brother, and Frontline. Mr. Glover
also brings 5 years of public relations and marketing experience
to BF/VF. Since the departure of Director Anne Marie Stein
earlier this year, Devon Damonte has acted as Director. Sources
close to Imagine have learned that Damonte will return to
the Northwest to pursue his passion for animation.
There was a general warming for New Englanders
and others at the Nantucket Film Festival this year. A week
of great weather poured sunshine over regional films. The
makers of ORPHAN and THE GENTLEMAN FR0M BOSTON, and the producers
of SESSION 9 were honored at the Imagine Champagne Brunch,
which was co-hosted by Rule Broadcast Systems. That morning
it rained, but no spirits were dampened as a host of industry
giants and moguls, writers, filmmakers, actors, casting directors,
distributors, and festival directors gathered at the Imagine
House to exchange views and share their exhilarating five
days festival experience on the beautiful island of Nantucket.
Imagine will have a complete report and
photo review of all of the summer's New England Film Festivals
in September including Newport, Ptown, Nantucket (for more
on these see David Kleiler's Establishing Shot this issue),
Waterville (Maine), Woods Hole and Rhode Island, which is
our special section in this issue. We'll also look at September
festivals in Boston, Toronto, and a new one this year, the
1st Annual New Hampshire Film Expo, scheduled for September
14-16 in Derry, New Hampshire. The new event involves filmmakers
and film lovers from around New England. NHFX is still accepting
entries. Visit their official website at www.nhfilmexpo.com
for all the details.
Next month is our Big TV issue as
well. Who's producing what in New England? We're finding out
and we'll tell you all about what you'll be seeing next season
on TV from our region. As always, it is my greatest pleasure
to present this issue of Imagine, please enjoy it!
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